There's been two kinds of posts this year, posts about books and posts about mortality. No foolin', it's been quite a year. Ian, Hanna and I lost our dads to cancer, Will had a hair-raising case of snakeyguts, and I'm sure Carter and Jeremy are looking up as they walk for a random falling piano. When these things happen, there's a natural urge to correlate bad events; that's just human nature.
But things are calming down again. We all catch ourselves forgetting about our passed loved ones for a moment, letting context shake us out of it when we decide to tell Dad about something that happened. For John Bennett, my father in law, it's mashed potatoes that take me out of the reality of a world without him. John was always in pursuit of the perfect mashed potato. I've seen him sit down at a restaurant in Mt. Pleasant, Iowa and order only the side of mashed potatoes, testing each bite. We talked quite a bit about texture, taste, do you add sour cream to yours, chicken or beef gravy, all the dimensions. After that day we spoke variously about mashed potatoes, and I never fail to think of John when I sit down and find a pile of them in front of me. I suspect I will never eat them as John Thomas ever again--I will always wonder what John Bennett would say about them.
So many things make me think of my own dad that I find myself immersing in them. I watched DEADWOOD again (Dad's quickcritic quote: "The best Western anything ever."); I sit in the chair where he worked out his post-chemo shivers; I go back and vet the massive family tree I put together at his request. And I expect I'll keep doing those things.
Will has an arc of little laparoscopic scars that still itch a bit, and we were all relieved when he was back to relieving himself in a solid and cogent manner. After all the digestive concerns Dad had before, I have lost all shame in talking about pooping. It's not unlike talking about mashed potatoes, really. Will and I even went to Des Moines the weekend after he got out of the hospital; I got to drive so he could sit comfortably, and talk turned to scary stories. We spun plots about a story that will turn the idea of an energy crisis into something a bit more fantastic and immediate. Over that weekend Carter and I laid out what media we would use in each section of MAN IS VOX 3. We even moved the script around a bit, pumped it up. It was the most normal I'd felt all year. If I could do all of that while Hanna was giving me a big hug, I'd never leave.
Carter's doing well, Jeremy's back problems are behind him (ha ha), Ian is pumping out an incredible amount of pages on his new book, heck I even got a reasonably-priced large-format scanner that works like a charm. 2008 will go down as what football teams call a rebuilding year for us. I say that, but of course Carter already has an art book and a new full color 252Z adventure (both available via our
online store). You can't stop the mighty Carter.
This stuff feeds into our art; you'll read about all this stuff again.